After perfected motion had become newly activated, the shining gold and silver letters then became stylised gold and silver hyperspatial equations which represented more intricate holographies, and these vibratory rate adjustments had therefore fashioned each of these profound wonders. From such vibratory changes like this becoming apparent, the Divine Testimony, that had become comprised of elements from inside the Universal Creator, would then designated elements which could functioned as etherous vibratory rate foundations so the defined Spiritual Revelation could then emerge. After this intermediary stage had occurred, new vibratory changes started to arise which brought into actuality linguistic based slower undulations. This slowed etherous medium would progress from simply displaying shining gold and silver letters into exhibiting more stylised gold and silver hyperspatial equations. Hence, with quickened equivalence the Divine Testimony, which represented grouped elements from inside the Universal Creator, had become tangible because the vibratory adjustments of the Spiritual Revelation evenly held intermediary aspects.

Distinctive sequences that had been produced from the stylised gold and silver hyperspatial equations, continued to become even more intricate and exhibited new transitory phases where beams of magenta and violet luminescence began to encircled them. Hence, notably stylised gold and silver hyperspatial equations would then begin to emerge from the Universal Creator, which could then usher in the new vibratory rate upgrades that resonated in the Divine Testimony. Once new aeons transpired further sequences of the stylised gold and silver hyperspatial equations would then become intricate looking and start to display beams of magenta and violet luminescence which enveloped the equations. Wherefore such incredibly stylised gold and silver hyperspatial equations that emanated from the Universal Creator, amplified the present moment resonant vibratory rates in the Divine Testimony.